tumble77

the casual supplement
(a commonplace book)
Jul 29
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more important, it’s about realizing that your budget — whether high or low — does not determine the quality of your travel experience. To travel well, you need to pack an open mind, a lot of energy, infinite patience and a willingness to embrace the awkward and unfamiliar. No amount of money in the world can buy those things — because they come free.
Jul 28
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theimpossiblecool:

Coltrane & Davis.

theimpossiblecool:

Coltrane & Davis.

Jul 27
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Jul 26
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Jul 25
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College graduates are setting foot in the real world for the very first time. Imagine how daunting that must be! They have so many daily needs, and yet they lack even the most basic tools required to survive in the world. They are completely helpless.
Jul 24
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It concerned him not in the least that things had always been done a certain way in the past.
Jul 23
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Jul 22
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Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people.
Jul 21
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Jul 20
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We are all poets now.

Does poetry matter? by Gregory Cowles

(via Sahar, thanks!)

Jul 19
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muntingprinsipe:


a jungle with hot air balloons. pen illustration
i’m new here on tumblr, come follow me :)

Submitted by capellevaughn

muntingprinsipe:

a jungle with hot air balloons. pen illustration

i’m new here on tumblr, come follow me :)

Submitted by capellevaughn
Jul 18
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The World of Tomorrow

alexislloyd:

An excerpt from E.B. White’s New Yorker essay, “The World of Tomorrow”, in which he responds to the Futurama exhibit at the 1939 World’s Fair. His thoughts are not only beautifully articulated in classic E.B. White style, but the questions and concerns he raises have a great deal of relevance in our current approaches to technology and our always-connected lives.

The countryside unfolds before you in $5-million micro-loveliness, conceived in motion and executed by Norman Bel Geddes. The voice is of utmost respect, of complete religious faith in the eternal benefaction of faster travel. The highways unroll in ribbons of perfection through the fertile and rejuvenated America of 1960 — a vision of the day to come, the unobstructed left turn, the vanished grade crossing, the town which beckons but does not impede, the millennium of passionless motion. When night falls in the General Motors exhibit and you lean back in the cushioned chair (yourself in motion and the world so still) the soft electric assurance of a better life — the life which rests on wheels alone — there is a strong, sweet poison which infects the blood. I didn’t want to wake up. I liked 1960 in purple light, going a hundred miles an hour around impossible turns ever onward toward the certified cities of the flawless future. It wasn’t until I passed an apple orchard and saw the trees, each blooming under a canopy of glass, that I perceived that even the General Motors dream, as dreams often do, left some questions unanswered about the future. The apple tree of tomorrow, abloom under its inviolate hood, makes you stop and wonder. How will the little boy climb it? Where will the little bird build its nest?

Jul 17
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darkly funny, deeply conflicted, politically pugnacious and, mostly, honest.
Jul 16
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Jul 15
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